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ÀÌ ±³À縦 ÈǸ¢ÇÏ°Ô ¸¶¹«¸®Çß´Ù¸é ¡°¿¹¹èÀÚ¸¦ À§ÇÑ ÀÛ°î Æí°î(¾çÁ¤½Ä, ¿ö½Ê¸®´õ)¡±À̶õ ±³À縦 È°¿ëÇÏ¿© ´õ ±íÀº ¼öÁØÀÇ À½¾Ç°øºÎ¸¦ ÇÒ ¼ö ÀÖ°Ô µÇ±æ ¹Ù¶ø´Ï´Ù.
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Part. One. ±âº»±â °®Ãß±â
1. º¸Ç¥(Sraff)¿Í À½ÀÚ¸®Ç¥(Clef)
(1) ¿À¼±(Staff/½ºÅÂÇÁ)
(2) À½ÀÚ¸®Ç¥
(3) º¸Ç¥ÀÇ Á¾·ù
2. À½À̸§(Tone Name/Åæ ³×ÀÓ)
(1) ¿øÀ½(Natural Tone/³×Ãò·² Åæ)ÀÇ À̸§
(2) ¹ÝÀ½(Semi-Tone/¼¼¹Ì Åæ)°ú ¿ÂÀ½(Whole-Tone/ȦÅæ)
3. º¯ÈÇ¥(Accidental Signature/¾î½Ãµ§Å» ½Ã±×´ÏÃÄ), ÀÓ½ÃÇ¥(Temporary Accidental Signature/ÅÛÆÛ·¯¸® ¾î½Ãµ§Å» ½Ã±×´ÏÃÄ), Á¶Ç¥(Key Signature/Å° ½Ã±×´ÏÃÄ)
(1) ÀÓ½ÃÇ¥(Temporary Accidental Signature)·Î »ç¿ëµÇ´Â º¯ÈÇ¥
(2) Á¶Ç¥(Key Signature)·Î »ç¿ëµÇ´Â º¯ÈÇ¥
4. À½Ç¥(Note/³ëÆ®)
(1) ¹ÎÀ½Ç¥(note)
(2) Á¡À½Ç¥(Dotted Note)
(3) °ãÁ¡À½Ç¥(Double Dotted Note)
(4) ÀÕ´ÜÀ½Ç¥(Tuplet note)
5. ½°Ç¥(Rest)
(1) ¹Î½°Ç¥
(2) Á¡½°Ç¥ (Dotted Rest)
(3) °ãÁ¡½°Ç¥ (Double Dotted Rest)
(4) Ư¼ö½°Ç¥(Extended Special Rest)
6. ¼¼·ÎÁÙ(Bar Line/¹Ù ¶óÀÎ)°ú ¸¶µð(Measure/¸ÞÁ®)
(1) ¼¼·ÎÁÙ(Bar Line/¹Ù ¶óÀÎ)°ú ¸¶µð(Measure/¸ÞÁ®)
(2) °ã¼¼·ÎÁÙ(Double bar line)°ú ³¡¼¼·ÎÁÙ(Final bar line)
7. ±âÈ£/Ç¥±â¹ý(Notation)
(1) ÁÙÀÓÇ¥
(2) ¹Ýº¹ ±âÈ£µé
Part Two.¹ÚÀÚ¿Í ¸®µë ¹è¿ì±â.
1. ¹ÚÀÚ(Meter/¹ÌÅÍ)
(1) ¹ÚÀÚ(Meter/¹ÌÅÍ)
(2) ¹ÚÀÚÇ¥(Meter Signature/¹ÌÅÍ ½Ã±×´ÏÃÄ)
(3) ¹ÚÀÚÀÇ Á¾·ù
2. ¸®µë(Rhythm)
(1) ¸®µëÀ̶õ
(2) ¸®µëÀÇ Á¾·ù
Part Three.À½Á¤ ÈÀ½ ¾Ë±â
1. À½Á¤(Intervals/ÀÎÅ͹úÁî)
(1) À½Á¤(Intervals/ÀÎÅ͹úÁî)À̶õ
(2) À½Á¤ÀÇ ¼ºÁú
(3) À½Á¤ÀÇ Á¾·ù
2. ÈÀ½(Chords/ÄÚµå)
(1) 3ÈÀ½(Triad Chords/Æ®¶óÀ̾îµå ÄÚµå)
(2) 3ÈÀ½ÀÇ Á¾·ù¿Í Ç¥±â¹ý
(3) 7ÈÀ½(7th Chords/¼¼ºì½º ÄÚµå)
(4) 7ÈÀ½ÀÇ Á¾·ù¿Í Ç¥±â¹ý
3. Á¶¿Í Á¶Ç¥(Key/Å°, Key Signature/Å° ½Ã±×´ÏÃÄ)
(1) ¿Ã¸²Ç¥(Sharps/?) #
(2) ³»¸²Ç¥(Flats/Ç÷§) b
(3) 5µµ±Ç
Part Four. Çü½Ä°ú À½°è ÆľÇÇϱâ
1. Çü½Ä(Musical Form/¹ÂÁöÄà Æû)
(1) Çѵµ¸· Çü½Ä(One Part Form/¿ø ÆÄÆ® Æû)
(2) µÎµµ¸· Çü½Ä(Two Part Form/Åõ ÆÄÆ® Æû)
(3) ¼¼µµ¸· Çü½Ä(Three Part Form/¾²¸® ÆÄÆ® Æû)
(4) ÀÛÀº ¼¼µµ¸· Çü½Ä(Small Three Part Form/½º¸ô ¾²¸® ÆÄÆ® Æû)
2. À½°è(Scale/½ºÄÉÀÏ)
(1) ÀåÀ½°è(Major Scale/¸ÞÀÌÀú ½ºÄÉÀÏ)
(2) ´ÜÀ½°è(Minor Scale/¸¶ÀÌÅÍ ½ºÄÉÀÏ)
(3) ±³È¸¼±¹ý(Church Modes/ÃÄÄ¡ ¸ðµå)
(4) ºí·ç½º(Blues)
Part Five. ¿¹»Ú°Ô ¾Çº¸ ±×¸®±â
1. À½Ç¥´Â ÀÌ·¸°Ô~
(1) ¸Ó¸®ÀÇ Å©±â¿Í À§Ä¡
(2) ±âµÕÀÇ ¹æÇâ
(3) ²¿¸® ¿¬°áÇϱâ
2. ½°Ç¥´Â ÀÌ·¸°Ô~
(1) ½°Ç¥ ¸ð¾ç
(2) Á¤È®ÇÑ À§Ä¡
(3) À½Ç¥¿Í ½°Ç¥°¡ ¼¯¿© ÀÖÀ» ¶§
3. À½ÀÚ¸®Ç¥ ±×¸®±â
(1) ³ôÀºÀ½ÀÚ¸®Ç¥
(2) ³·ÀºÀ½ÀÚ¸®Ç¥
(3) °¡¿ÂÀ½ÀÚ¸®Ç¥
4. ÀÓ½ÃÇ¥ ±×¸®±â
(1) #, X
(2) b, bb
(3) Á¦ÀÚ¸®Ç¥
Part Six. Á¶±Ý ±íÀº À̾߱â
1. ÅÙ¼Ç(Tension Note)
(1) ÅÙ¼ÇÀ̶õ.
(2) ÅÙ¼ÇÀÇ Ç¥±â
(3) ÅÙ¼ÇÀÇ Á¾·ù
(4) Äڵ庰 ÅÙ¼Ç
2. Á¶¹Ù²Þ(Modulation/¸ðµâ·¹À̼Ç)°ú Á¶¿Å±è(Transposition/Æ®·£½ºÆ÷Áö¼Ç)
(1) Á¶¹Ù²Þ(Modulation/¸ðµâ·¹À̼Ç)
(2) Á¶¿Å±è(Transposition/Æ®·£½ºÆ÷Áö¼Ç)
ºÎ·Ï........
ºü¸£±â¸»(Tempo terms)
ºü¸£±âÇ¥(Tempo Signature)
¼À¿©¸²Ç¥(Dynamic)
ÁÖ¹ý¿¡ °üÇÑ Ç¥(Musical interpretation)